Allen “Gut” Terk was an Angel and poster artist who managed Blue Cheer, a band whose sound system was designed by the Dead’s legendary sound engineer Owsley Stanley. Several Angels were popular figures in the Haight-Ashbury at the time. Those events were part of a larger tapestry that wove outlaw motorcycle clubs into the story of the Haight-Ashbury. The Angels hired the Dead to play on New Year’s day 1967, a free concert in the Panhandle, and two weeks later, the Angels guarded the power cables and even tended to lost children at the Human Be-In, a monumental free event in Golden Gate Park featuring the Dead and several other bands along with Beat poets and politicos. Hearst News via Gettyīut beyond geography and similar countercultural sensibilities, what really connected the two groups was history. Hells Angels motorcycles parked at a concert in Golden Gate Park with the Grateful Dead, circa 1975. Thompson put it in his 1967 book “Hell’s Angels: A Strange and Terrible Saga.” San Francisco State University professor Peter Richardson, a scholar of both the Dead and Thompson, wrote that the tenets of the Dead - community, mobility and ecstasy - have obvious parallels in the Angels’ commitment to fraternity, motorcycles, and intoxication. Neighborhood lore still circulates stories about legendary parties and encounters, but by then, the Angels had already become tabloid fodder, with lurid accounts of drunken brawls and debauched parties making the club “the hundred-carat headline,” as Hunter S. The relationship began after the Dead moved to the Haight-Ashbury in 1966, when a couple of Angels lived across the street.
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